BALTIC Centre for Contemporary Art, Gateshead and Ryder Architecture present the second in a series of new commissions exploring the relationship between art and architecture. The BALTIC Ryder Commission brings together an artist with an emerging architectural practice to produce a co-authored artwork which will be displayed in BALTIC’s Level 2 gallery. BALTIC and Ryder, in collaboration with Blueprint Magazine, have commissioned artist Alice Theobald and Atomik Architecture.
Theobald and Atomik’s co-authored work has evolved through a process of studio visits, workshops, model-making and drawing. It will take the form of an ambitious site-specific installation comprising sound, video and live performance. Interested in the interiors of Austrian-Czech architect Adolf Loos (1870-1933) and the idea of accessing a space through multiple viewpoints, Theobald and Atomik will construct a series of circular rooms which will provide a route through the architecture, pacing the visitors’ experience. Drawing on Anthony Vidler’s book The Architecture of the Uncanny (1992), they will create a series of familiar, yet unsettling spaces, lining the rooms with everyday materials, texts and projections. A platform slicing through the gallery becomes a stage for a series of part-choreographed, part-improvised performances; an accompanying musical score will explore the circularity and slippage of language and the interplay between performer and viewer.
Alice Theobald (born Leicester, 1985) develops performances using music, installation and video. Her works react to pre-existing places and spaces, often referencing their own construction through the play of language, sound and movement whilst addressing themes of love, alienation, memory and mistrust. Theobald frequently works with a cast of non-professional actors, performers and musicians, and shifts between the role of stage director, choreographer, narrator and performer.